{"id":18072,"date":"2020-05-04T20:02:00","date_gmt":"2020-05-04T20:02:00","guid":{"rendered":"https:\/\/dev.inrs.ca\/the-cultural-community-adapting-to-the-pandemic\/"},"modified":"2020-09-15T11:13:29","modified_gmt":"2020-09-15T15:13:29","slug":"le-milieu-culturel-sadapte-a-la-pandemie","status":"publish","type":"post","link":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/","title":{"rendered":"The cultural community adapting to the pandemic"},"content":{"rendered":"\n<p style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.723), 20px);px\"><strong><strong>Cultural events and quarantine are not a winning combination, but cultural groups aren&#8217;t giving up. They\u2019re finding ways to keep audiences in touch with arts and culture despite the need for social distancing.&nbsp;<a href=\"https:\/\/dev.inrs.ca\/en\/professors\/nathalie-casemajor\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nathalie Casemajor<\/a>, a professor at&nbsp;Institut National de la Recherche Scientifique (INRS), looks at the future of cultural praxis.<\/strong><\/strong><\/p>\n\n\n\n<p>\u201dRight now there\u2019s no way to be in the same space-time with other people,\u201d says Casemajor. \u201cThe kind of collective experience you get in a performance venue, for instance, is impossible.\u201d Casemajor is also codirector of the&nbsp;<a href=\"https:\/\/omec.dev.inrs.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Observatoire des m\u00e9diations culturelles<\/a>&nbsp;(OMEC).<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"652\" src=\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg\" alt=\"Le milieu culturel s\u2019adapte \u00e0 la pand\u00e9mie\" data-id=\"12213\" data-full-url=\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg\" data-link=\"https:\/\/dev.inrs.ca\/?attachment_id=12213\" class=\"wp-image-12213\" srcset=\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg 1000w, https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs-300x196.jpg 300w, https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs-768x501.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Casemajor_nathalie_grande.jpg\" alt=\"Nathalie Casemajor professeure en culture, num\u00e9rique et territoires \u00e0 l\u2019Institut national de la recherche scientifique\" data-id=\"12215\" data-full-url=\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Casemajor_nathalie_grande.jpg\" data-link=\"https:\/\/dev.inrs.ca\/?attachment_id=12215\" class=\"wp-image-12215\" srcset=\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Casemajor_nathalie_grande.jpg 1000w, https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Casemajor_nathalie_grande-300x200.jpg 300w, https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Casemajor_nathalie_grande-768x512.jpg 768w, https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Casemajor_nathalie_grande-600x400.jpg 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"blocks-gallery-item__caption\">Professor Nathalie Casemajor<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Human beings need that collective experience, and new formats have sprung up to fill the gap. We\u2019re seeing the \u201cliveness\u201d of events emerge as a concept\u2014a dimension of being together across the distance. \u201cThink of the artists livestreaming on social media, which makes it possible to share a moment, even when you\u2019re at home,\u201d she adds. That\u2019s what the National Arts Centre is doing with its&nbsp;<a href=\"https:\/\/nac-cna.ca\/en\/canadaperforms\" target=\"_blank\" rel=\"noreferrer noopener\">#CanadaPerforms<\/a>&nbsp;program. Association des biblioth\u00e8ques publiques du Qu\u00e9becis another. Its&nbsp;<a href=\"https:\/\/heureduconte.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Heureduconte.ca<\/a>&nbsp;platform hosts recorded and live stories that kids just love.\u201d Dr. Casemajor\u2019s research focuses on cultural action and digital media.<\/p>\n\n\n\n<p>For all the online opportunities, Dr. Casemajor maintains that the need remains for people to push past mass experience and get in close. \u201cThere are some initiatives that address that need for personal contact,\u201d she notes. \u201cTh\u00e9\u00e2tre national de la Collinein Paris came up with an idea they call&nbsp;<em>Au creux de l\u2019oreille&nbsp;<\/em>(\u201cbetween you and me\u201d) based on readings over the phone. An actor calls, asks about the person on the other end of the line, then reads a theatre piece.&nbsp;<a href=\"https:\/\/www.theatreperiscope.qc.ca\/nouvelles\/au-creux-de-l-oreille\" target=\"_blank\" rel=\"noreferrer noopener\" class=\"broken_link\">Th\u00e9\u00e2tre P\u00e9riscope<\/a>&nbsp;has since started doing the same thing in Qu\u00e9bec.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><strong>Taking ownership of public space<\/strong><\/strong><\/h2>\n\n\n\n<p>The phone is one way to go beyond the screen, but it\u2019s not the only one. Montr\u00e9al publisher Paperole has launched a project in which illustrators create thank\u2011you posters for healthcare workers under the title&nbsp;<em><a href=\"http:\/\/www.facebook.com\/lescouleursessentielles\" target=\"_blank\" rel=\"noreferrer noopener\">Les couleurs essentielles<\/a>&nbsp;<\/em>(\u201cthe essential colours\u201d). \u201cIt\u2019s a cultural experience that uses tangible objects to create an emotional experience,\u201d says Casemajor.<\/p>\n\n\n\n<p>Other initiatives are aimed at sharing the public space at a distance. Musicians are performing on their balconies, such as singer-songwriter Martha Wainwright. People in Europe are projecting films onto neighbouring buildings to create a kind of balcony movie theatre.<\/p>\n\n\n\n<p>The OMEC and Casemajor herself will be watching how these approaches develop in the coming months. \u201cThings won\u2019t be back to normal for a while, so we\u2019ll need to think of how to share the space and time of collective experience of culture within the confines imposed by social distancing. Cars are already beginning to emerge as safe bubbles. It\u2019s a symbol of comfort, kind of the way toilet paper was at the beginning of the crisis. In Qu\u00e9bec they\u2019re already talking about bringing back drive-in theater, and some musicians have talked about doing drive-in shows. But being in separate cars restricts how shared the experience can be.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><strong>Gradual return<\/strong><\/strong><\/h2>\n\n\n\n<p>Other than looking to the car as a sort of safety blanket, Dr. Casemajor cites the possibility of some cultural organizations opening at half-capacity so that distances can be maintained. \u201cThe problem with that sort of solution is you\u2019re operating at 100% of the usual cost. Will cultural institutions get funding to cover the losses?\u201d<\/p>\n\n\n\n<p>Just how much particular audiences want to get involved in culture is another big consideration affecting cultural recovery. \u201cWe\u2019ll need to gradually emerge from our bubbles and learn how to be together all over again,\u201d warns Casemajor. \u201cYoung people, for whom the disease is less risky, may be more open to returning to close proximity. Older people might be reluctant.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size\">*&nbsp;The Observatoire des m\u00e9diations culturelles will be launching a series of online dialogues on the topic of culture and resilience with its cultural partners. The objective is to understand how the crisis affected their practices, what they did to adapt, and how they see the future of their organization.<\/p>\n\n\n\n<div class=\"wp-block-buttons aligncenter is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-darker-background-color has-background\" href=\"https:\/\/dev.inrs.ca\/en\/inrs\/newsroom\/topics\/covid-19-the-unpredictable-enemy\/\">Back to topic<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cultural events and quarantine are not a winning combination, but cultural groups aren&#8217;t giving up. They\u2019re finding ways to keep audiences in touch with arts and culture despite the need for social distancing. Nathalie Casemajor, a professor at Institut National de la Recherche Scientifique (INRS), looks at the future of cultural praxis.<\/p>\n","protected":false},"author":297,"featured_media":12214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[688],"tags":[],"sectors":[727],"class_list":["post-18072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-innover-a-linrs-en","sectors-culture-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.6 (Yoast SEO v24.6) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The cultural community adapting to the pandemic | INRS<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The cultural community adapting to the pandemic | INRS\" \/>\n<meta property=\"og:description\" content=\"Cultural events and quarantine are not a winning combination, but cultural groups aren&#039;t giving up. They\u2019re finding ways to keep audiences in touch with arts and culture despite the need for social distancing. Nathalie Casemajor, a professor at Institut National de la Recherche Scientifique (INRS), looks at the future of cultural praxis.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/\" \/>\n<meta property=\"og:site_name\" content=\"INRS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/inrsciences\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-04T20:02:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-15T15:13:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"652\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Simon Desbiens\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@inrsciences\" \/>\n<meta name=\"twitter:site\" content=\"@inrsciences\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Simon Desbiens\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/\",\"url\":\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/\",\"name\":\"The cultural community adapting to the pandemic | INRS\",\"isPartOf\":{\"@id\":\"https:\/\/dev.inrs.ca\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg\",\"datePublished\":\"2020-05-04T20:02:00+00:00\",\"dateModified\":\"2020-09-15T15:13:29+00:00\",\"author\":{\"@id\":\"https:\/\/dev.inrs.ca\/en\/#\/schema\/person\/0ca4676b522e930104537c44fa17dc7b\"},\"breadcrumb\":{\"@id\":\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#breadcrumb\"},\"inLanguage\":\"en-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-CA\",\"@id\":\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#primaryimage\",\"url\":\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg\",\"contentUrl\":\"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg\",\"width\":1000,\"height\":652,\"caption\":\"Le milieu culturel s\u2019adapte \u00e0 la pand\u00e9mie\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"INRS\",\"item\":\"https:\/\/dev.inrs.ca\/linrs\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Newsroom\",\"item\":\"https:\/\/dev.inrs.ca\/linrs\/salle-de-nouvelles\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"News\",\"item\":\"https:\/\/dev.inrs.ca\/linrs\/salle-de-nouvelles\/actualites\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"The cultural community adapting to the pandemic\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dev.inrs.ca\/en\/#website\",\"url\":\"https:\/\/dev.inrs.ca\/en\/\",\"name\":\"INRS\",\"description\":\"Institut national de la recherche scientifique\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dev.inrs.ca\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-CA\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/dev.inrs.ca\/en\/#\/schema\/person\/0ca4676b522e930104537c44fa17dc7b\",\"name\":\"Simon Desbiens\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-CA\",\"@id\":\"https:\/\/dev.inrs.ca\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3fcfd41145c1cb6f33400ce7a05bdc94?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3fcfd41145c1cb6f33400ce7a05bdc94?s=96&d=mm&r=g\",\"caption\":\"Simon Desbiens\"},\"url\":\"https:\/\/dev.inrs.ca\/en\/author\/simon-desbiensadm-inrs-ca\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The cultural community adapting to the pandemic | INRS","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"The cultural community adapting to the pandemic | INRS","og_description":"Cultural events and quarantine are not a winning combination, but cultural groups aren't giving up. They\u2019re finding ways to keep audiences in touch with arts and culture despite the need for social distancing. Nathalie Casemajor, a professor at Institut National de la Recherche Scientifique (INRS), looks at the future of cultural praxis.","og_url":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/","og_site_name":"INRS","article_publisher":"https:\/\/www.facebook.com\/inrsciences\/","article_published_time":"2020-05-04T20:02:00+00:00","article_modified_time":"2020-09-15T15:13:29+00:00","og_image":[{"width":1000,"height":652,"url":"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg","type":"image\/jpeg"}],"author":"Simon Desbiens","twitter_card":"summary_large_image","twitter_creator":"@inrsciences","twitter_site":"@inrsciences","twitter_misc":{"Written by":"Simon Desbiens","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/","url":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/","name":"The cultural community adapting to the pandemic | INRS","isPartOf":{"@id":"https:\/\/dev.inrs.ca\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#primaryimage"},"image":{"@id":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#primaryimage"},"thumbnailUrl":"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg","datePublished":"2020-05-04T20:02:00+00:00","dateModified":"2020-09-15T15:13:29+00:00","author":{"@id":"https:\/\/dev.inrs.ca\/en\/#\/schema\/person\/0ca4676b522e930104537c44fa17dc7b"},"breadcrumb":{"@id":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#breadcrumb"},"inLanguage":"en-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/"]}]},{"@type":"ImageObject","inLanguage":"en-CA","@id":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#primaryimage","url":"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg","contentUrl":"https:\/\/dev.inrs.ca\/wp-content\/uploads\/2020\/07\/Actualite-le-milieu-culturel-s-adapte-a-la-pandemie-inrs.jpg","width":1000,"height":652,"caption":"Le milieu culturel s\u2019adapte \u00e0 la pand\u00e9mie"},{"@type":"BreadcrumbList","@id":"https:\/\/dev.inrs.ca\/en\/news\/the-cultural-community-adapting-to-the-pandemic\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"INRS","item":"https:\/\/dev.inrs.ca\/linrs\/"},{"@type":"ListItem","position":2,"name":"Newsroom","item":"https:\/\/dev.inrs.ca\/linrs\/salle-de-nouvelles\/"},{"@type":"ListItem","position":3,"name":"News","item":"https:\/\/dev.inrs.ca\/linrs\/salle-de-nouvelles\/actualites\/"},{"@type":"ListItem","position":4,"name":"The cultural community adapting to the pandemic"}]},{"@type":"WebSite","@id":"https:\/\/dev.inrs.ca\/en\/#website","url":"https:\/\/dev.inrs.ca\/en\/","name":"INRS","description":"Institut national de la recherche scientifique","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dev.inrs.ca\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-CA"},{"@type":"Person","@id":"https:\/\/dev.inrs.ca\/en\/#\/schema\/person\/0ca4676b522e930104537c44fa17dc7b","name":"Simon Desbiens","image":{"@type":"ImageObject","inLanguage":"en-CA","@id":"https:\/\/dev.inrs.ca\/en\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3fcfd41145c1cb6f33400ce7a05bdc94?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3fcfd41145c1cb6f33400ce7a05bdc94?s=96&d=mm&r=g","caption":"Simon Desbiens"},"url":"https:\/\/dev.inrs.ca\/en\/author\/simon-desbiensadm-inrs-ca\/"}]}},"_links":{"self":[{"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/posts\/18072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/users\/297"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/comments?post=18072"}],"version-history":[{"count":5,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/posts\/18072\/revisions"}],"predecessor-version":[{"id":25027,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/posts\/18072\/revisions\/25027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/media\/12214"}],"wp:attachment":[{"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/media?parent=18072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/categories?post=18072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/tags?post=18072"},{"taxonomy":"sectors","embeddable":true,"href":"https:\/\/dev.inrs.ca\/en\/wp-json\/wp\/v2\/sectors?post=18072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}